It’s hard to believe I’ve been running this blog for almost seven years. That’s the longest I’ve ever stuck with any of my creative projects. But if there’s one thing I’ve learned, it’s that nothing lasts forever. And so it is that effective today, I’m shutting down IG for good.
I damn near passed on checking out Serial Butcher. On the surface, everything about the band’s second album Brute Force Lobotomy, from the title to the cover art, screams run-of-the-mill brutal death metal. But if there’s one thing that listening to metal for all these years has taught me, it’s that the old cliche about not judging a book by its cover is usually true, and such is the case with Serial Butcher. Indeed, the Belgians play brutal death metal, but their sound is anything but ordinary.
Back in 2012, Jacksonville’s Cystic Dysentery released Culture of Death, one of my favorite under-the-radar brutal death metal albums of the last five years. Indeed, the band’s debut displays their oldschool Floridian influences (think Cannibal Corpse, Obituary, etc) while at the same time upping the heaviness factor considerably by mixing in some seriously gnarly Suffocation vibes, twisting those inspirations into a singular BDM assault. After four long years of silence, Cystic Dysentery are finally ready release a follow-up, the long-awaited Homicidal Suicide.
Holy shit you guys, I haven’t done one of these brutal/tech/slam death metal roundup features since 2014! Wasn’t this supposed to be a semi-regular feature?! I guess 2014 was also the year that I realized I’m far too disorganized/scatterbrained to pull off regular features, so they’re more like whenever-I-feel-like-it features and apparently I haven’t felt like it in almost two years.
Hailing from the same fertile scene that produced the likes of Entombed and Dismember, the terrific twosome known as Comecon have somehow been relegated to being little more than a footnote in the history of Swedish death metal in spite of being one of the most oddball bands to be belched forth from the unholy bowels of Stockholm. No less than Daniel Ekeroth wrote the band off as “boring” in his ten ton tome Swedish Death Metal, but in surveying their discography I can’t help but wonder if he and I listened to the same band.
I had an intro written and ready to go, reflecting on all the good and bad that heavy music in 2015 had to offer (mostly bad), but then I remembered that no one reads these long-winded, pointless intros. So, without further ado, here are eleven musical things (not just albums) that grabbed a hold of my crank and kept on yanking in 2015…
Kriegszittern are a German duo committed to vomiting up short, sharp shocks of punky, war-obsessed death metal. Their debut demo was recently committed to tape by the ever-reliable and increasingly prolific Caligari Records, and it’s certainly a must-listen for fans of the genre at its ugliest and most primitive.
Like any good metalhead, I try to keep track of all the shows happening in my neck of the woods, even though I can only make it to a fraction of them. This is how Belgium’s Goat Torment popped up on my metal radar. Turns out the band will be tormenting Sacramento as part of a handful of West Coast dates in conjunction with their appearance at California Deathfest in Oakland (no, I will not be in attendance), which is right around the corner.
This past weekend, my wife and I ventured down to Anaheim to get our Disneyland fix. But the magic kingdom wasn’t the only destination on our agenda; Mrs. IG built some time into our busy itinerary to make a stop at the mighty Dark Realm Records. For those unfamiliar, Dark Realm is the Los Angeles area’s only all-metal record store and is run by brothers Rick and Bay Cortez of the legendary Sadistic Intent. I first visited the shop roughly six years ago and was blown away by the selection of CDs, shirts and various other heavy metal goodies, so I couldn’t wait to finally make my second pilgrimage.
2015 has been a damn fine year for death metal so far, and it appears that Profound Lore is looking to up the ante with their most recent salvo of releases. Indeed, the label has in its hot little hands a pair of debut full-lengths from two up-and-coming bands who’s respective takes on death metal couldn’t be more different if they tried, yet both strive for excellence in their own way.