Baton Rouge’s Barghest have been spreading their swampy, miasmic brand of black metal since 2006, but I didn’t come across them until their 2012 split LP with False. It was definitely a case of better late than never, because the band managed to impress the heck out of me with a pair of songs that were as bulldozing as they were atmospheric, taking the doomy heft of classic death metal bands such as Autopsy and Incantation and applying it to a raw black metal framework. We haven’t heard much from the band since that crushing release, but as it turns out they’ve had their hands full with secretly building a monster in the form of The Virtuous Purge, their second album for the mighty Gilead Media.
2012 has been more stressful than a motherfucker; probably one of the most all-around stressful years of my life. Buying a house + assorted family and work-related issues that I wouldn’t even dream of getting into here managed to turn the year into a goddamn pressure-cooker. I’m pretty sure the only things that kept me alive were my wife’s unwavering love (and limitless patience) and an avalanche of incredible music. In 2011 I was feeling pretty jaded and dissatisfied with the state of heavy metal, this year I found myself feeling better about things than I have in years. That isn’t to say there weren’t great albums released in 2011, there were, but in 2012 I felt like there was so much greatness that I couldn’t possibly keep up with it all.
Roughly 5 months ago, Brandon Duncan (whom you may know from The Sequence of Prime) contacted me with an idea; let’s start a new online metal zine. Typically I prefer to work alone, but Brandon’s enthusiasm is contagious and I’m proud to call him my friend, so there was absolutely no way I could refuse. Brandon gathered an ace design team while I hand-picked some of my favorite writers from internet metal land with the express purpose of creating something new and unique, to drag the old school metal zine into the future, come Hell or high water with an emphasis on good old-fashioned writing and design.
After 5 months of hard work, I’m proud to present to all of you the fruits of our labors in the form of Backlit #0; fifteen pages of mind-melting music, art and literature.
Backlit / 0
Now available at backlitzine.com
Cover Art by Dan Harding
Raping Angels in America #1 / Joshua Haun
Angry Old Men / Jordan Campbell
Helpless Child / Dan Obstkrieg
Fucking The Future / Joshua Haun
Libations in the Labyrinth Vol. 1 / Dan Obstkrieg
Words That Wound / Dan Obstkrieg
Doomsday Device / Joshua Haun
Interview With Jester King Brewery / The Dragon of M87
Interview With Ashencult / Jordan Campbell
Art & Fiction:
Succubus in the Attic / Nikki Guerlain
Dan Harding: The Fine Art of Horror / Brandon Duncan
The Dragon of M87
I hope that you will all enjoy reading the first issue of Backlit as much as we enjoyed crafting it. This is only the beginning!
I always imagine splits as the musical equivalent of a pro wrestling cage match. Two bands locked in combat, duking it out for supremacy in an all-out slugfest; there is no escape, there must be a winner. No matter how great both bands may be, it is inevitable that the listener will find one more appealing than the other, essentially making him or her the “special guest referee.”